Piano Pilot

Why jazz piano improvisation?

Why not gospel piano improvisation?

Is it not possible to improvise classical music, or sacred music, or any other kind of music?

Bach improvised many of his fugues and inventions while playing organ in church. Many others in all musical styles have improvised within the context of their own persuasion. So why study improvised jazz? Why not study improvised classical music, or improvised gospel music?

The answer is access.

Jazz piano improvisation is so much more accessible than is improvisation in other areas. Some classical pianists do improvise, but at performances they are generally expected to play Chopin or Debussy or Mozart, rather than to make up their own music. There are gospel pianists who do improvise, but the expectation of

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Here are six very good reasons to learn how to play piano in the New Age style:

1. It’s easy. No months spent learning theory here. Just a few chords and you’re off enjoying the joy of improvisation. Learning chords is the key to playing easily and effortlessly! And with New Age piano, the chords you learn can be used right away!

2. It’s fun! You can actually create your own music! In the classical music world you spend all your time learning how to play other peoples music. With New Age piano, you can sit down and “compose” a piece of your very own

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Before I became an Alexander Technique teacher, I assumed that the most impressive physical activities were performed by professional athletes. Their feats were regularly reported in the newspapers and on TV and radio and discussed by my friends and colleagues. So too were the all too frequent injuries that kept them out of play.

When I began my teaching practice, my studio was located a few blocks from Toronto s Royal Conservatory of Music and the University of Toronto School of Music. From the very start of my teaching, almost half of my students were musicians. They came complaining of neck and shoulder pain, tense necks, back pain and a host of other stress-related ailments.

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Many piano students spend much time learning how to play the piano. Years upon years of study time devoted to perfecting technique, tone, dynamics, etc. All the while, many of these same students have never really played the piano. That is, they have spent their time practicing in preparation for the moment when they can “perform” for others.

Wouldn’t it be refreshing if instead of learning how to play other peoples music, we could feel confident enough to create our own? Why is it so daunting a task for most of us? I think it’s because we’ve been taught that only a very few gifted individuals are capable of producing music from scratch - whatever the genre. Rock, jazz, classical etc.

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There are many ways to compose a piece of music. ABA forms, sonata allegro form, and so on. But the humble theme and variations has been around for centuries. While not used nearly as much as it was during the classical period, it still can be used to create artistic and attractive contemporary piano pieces. Let’s get started!

First, we need a theme! Eight bars are the perfect size to contain your theme. I work within this framework all the time and it has proven to be a workhorse when it comes to capturing musical ideas. Now, we can either begin with chords or melody. For theme and variations, I like to start with the melody (as do most composers.) This

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